Hugh N. Ronald Gallery, Portland, IN
June 2 - July 7, 2017
Solo exhibition that examines the aesthetics and politics of abandonment and gentrification through the remnants of Franklinton's Bellows School. The struggle between preservation and progress - what is to be discarded and who decides? - is an analogy for how we perceive the people in marginalized neighborhoods.
Exhibition made possible in part through the generous funding of the Greater Columbus Arts Council.
Bunker Projects Residency
Bunker Projects, Pittsburgh, PA
March 6 - April 3, 2017
In a continuing study of shifting narratives from power dynamics and conflicts in different "homelands," the artist explores colonialism and dominance, and the immutable relationship of all forms of oppression.
Union Street Gallery, Chicago, IL
February 22 - March 25 - , 2017
Group exhibition re-examining the common object, things we see in everyday life or objects that we could not do without. Artists will provide a lens for the viewer to see these objects with a new or different perspective.
Politics & Power
Ann Street Gallery, Newburgh, NY
October 8 - November 26, 2016
This exhibition will focus on bringing together various perspectives on representations of Politics & Power in visual culture, while examining issues of political or social change and their effect on our current societal struggles.
Solo exhibition. Using objects/artifacts and historical tableaux, this body of work touches on displacement and marginalization issues, both personal and societal, which stem from conflicts in the Middle East as well as in the economically-segregated cities of the United States.
January 15 - February 12, 2016
This exhibition was made possible in part through the generous funding of the Puffin Foundation West.
I am an American-born artist of Palestinian descent. My artwork is informed by a heritage rooted in places of great archaeological significance, and by a lifetime spent growing up in the post-industrial Midwest.
The artwork I construct makes lyrical connections between the decay and renewal of our post-industrial rust-belt cities and the endeavors of the archaeologist to rediscover and preserve lost beauty and lost worlds. In the process, it often elevates that which we consider blight, discarded and undesirable to something of greater significance.
While paying homage to iconic historical imagery and the vernacular of museum displays, my art is also driven by a need to address modern-day social issues. Poverty, displacement, racial and gender inequality are some of the divisive forces that bely the elemental beauty of the ruinous urban landscape.
My artistic practice is one of mainly installation art, socially-engaged art and social sculpture. My most ambitious work to date is the Second Sight Project, an artist residency program run in once-vacant and disused houses in inner-city Columbus Ohio. Activating this space in a neighborhood where 25% of the houses are vacant or abandoned, this is an experiment that seeks to advocate for both the artists seeking an affordable place to live and work, and for the neighborhood which is in need of a regrowth that is in harmony with the needs of its long-time residents.
Contact artist at: firstname.lastname@example.org